Thursday, July 27, 2017

The Symmetry of Autumn Leaves: Perennial

Chaos leads way to chaos ... resolve the noise and then turn up the volume ... welcome to the first few seconds of The Symmetry of Autumn Leaves' CD Perennial.
This band of instrumental architects hails from New England and consists of Chelsey Hahn and Chad Jewett (formerly of Lions Club) and Will Mulheron (formerly of Airplane, 1929). They have pieced together an interesting collection of sounds and lyrics, and while neither outshines the other, their orchestral choices immediately stand out.
The title track opens the CD as the blueprint for Perennial: a few seconds of disorderly horns and strings leads into a full-throttle punk beat. The pandemonium creates tension, then fails to resolve with anything less than bedlam. My adrenaline surge is nearly piqued by the end of "Fauves," the second track from Perennial. Track three kicks in with a recitation that appeals to my own sense of symmetry.
My heart is a pile of leaves
My heart is a pile of leaves
My heart is a pile of leaves
Underneath the apple tree
Underneath the apple tree
Underneath the apple tree
Thus, you have "Evergreen, un deux troit" with its steady chant and jazz-like improv. "The Witching Witching Witching Hour Blues" channels The Doors lesser known works, my personal favorites as they were untainted by Hollywood and its damnable silver screen. Leading from that mellow moment is a Dead Kennedy-esque tune "Hippolyte," followed by "Welton 69," which drops straight into the grunge movement of the late 90s then leaves you hanging with a few string plucks for about a minute. As Perennial progresses I don't know whether I'm supposed to thrash to it, or flip the switch on my black light and stare at my lava lamp.
Each time I think I have The Symmetry of Autumn Leaves figured out, they pull some maddening auditory gymnastics. Perennial is like a curious ensemble of oddly matched mates; no one knows why they work, but they form the couple everyone wants to be like. This sublime dichotomy is not soothing, but rather sets the neurons afire with possibility, and that is what art should do.
Perennial is a quirky little bit of fun and worth a listen. You can check it out on The Symmetry of Autumn Leaves' Bandcamp page now. Follow, like and love them here:

Tuesday, July 25, 2017

Allday: Speeding


Written by Robin Ervolina
I'm going to ask you to stretch a little... and if you've ever taken a gym class you'll know that stretching is good. The purpose of stretching is to avoid injury by warming the muscles and easing them into activity. Now that you see the benefit, stretch with me.
I'm listening to Allday, a quick-witted lyricist laying thoughts on a bed of melodic down. Not all music is for every purpose or mood; maybe your mood is thrashing, or your mood is dancing, or your mood is not punching your boss. Allday brings a mood that is instantly soothing; seriously taking me down a notch from "Oh fuck with me not" to "Okay, I have no fucks. Go about your business."
From the initial track "First Light" I'm just a wee babe in his hands, and I understand now why he's selling out shows in Australia and getting tapped for festival slots. The second track, "In Motion," is playing now, and I'm all up in it with a head bob and a shoulder roll. Maybe it's that Ed Sheeran thing I've got going on, but when the drop hits, I can't think. Go on, try to multitask; Allday brings you back like ‘ahhhh.’
I abhor dance clubs, but my friends drag me there, so I'm pretty familiar with the "oonce oonce" beat and tried lyrics prevalent in the scene. This is NOT that club sound. It will play there, no doubt, because I'm still moving like someone slipped my drink a date, but it's got way more substance. I'm reminded (and remember, I said I want you to stretch) of the first time someone sat on me (literally) and forced me to listen to Kendrick Lamar. This is also the same person who sat on me and tickled me until I peed my pants, but I digress. It was good for me then, and this is good for you now. The lyrics and content are elevated. It's not vapid. It's not usual. It's inspired. Take the end of "10 Drinks," with a recording of a rambling man recalling a psychotic episode after a day of drinking; it becomes clear that Allday is interested in telling stories, and they're personal to someone, even if it's not him.

I haven't stopped listening yet, and that means Allday just exceeded my attention span, which is normally about 15 minutes. I'm on "Ghost" and my second glass of wine is nigh. I'm begging the world wide web for a lyric sheet for each of these songs because I know there's more to Allday than a great spin and catchy tune. Thanks to 240k fans on Facebook alone, they're available to me. I'm treated to gems like:
I'm not sure what this hole is I grew inside - "Ghost"
What doesn't kill you makes you stronger
But sometimes you turn into a monster
But when you treat someone like they dirt
Then eventually they gon' turn around
And be the dirt that you said that they'd be - "Raceway"
Shaking me from my Google search is the track "Codeine 17" featuring the heavenly vocals of Graceland. It's not a sweet song, but it's brutal and honest. That day someone sat on me (Tyler) and made me listen to Lamar prepared me for the sound of struggle and choices. If an artist gives you their life in a song, you can appreciate the realness of that offering. I thought "Babyspiders" featuring Mallrat would be my favorite song on Speeding, with its steady rhythm line and once again, introspective and raw lyrics, but Allday saves the best for last with "Ultramarine," also featuring Mallrat. Says the artist:
 I also believe outro songs don’t count. So, I just went on a stream of consciousness trip through life with no drums because drums are for real songs, and an outro isn’t a real song. 
I'm not about to argue with him, but if this stream of consciousness isn't a real song, then to hell with real songs. I'm also not going to come at this like I'm some expert on hip hop and rap, but I'm going to come at this like I know what I like, and I like this.
Allday's "Speeding" is not PG-13, it's for adults, and it deserves an opportunity to lead you into your usual musical calisthenics. Check it out Speeding on iTunes now. Stretch with me.
Allday Tour Dates:
8/3 San Francisco CA - Rickshaw Stop 
8/5 Los Angeles CA - The Echo
8/6 Denver CO - Lost Lake Lounge
8/7 Chicago IL - Subterranean
8/9 Brooklyn NY - Rough Trade
8/12 Philadelphia PA - Voltage Lounge
8/13 Washington DC - DC9
8/14 Cambridge MA - Middle East Upstairs