Tuesday, November 24, 2015

Like A Storm: Matt Brooks Interview at Louder Than Life 2015

DSC_0917Written/Photographed by Robin Ervolina
It’s a cold, rainy day in Louisville, Kentucky when Like A Storm’s Matt Brooks breezes into my life and blows me away with his genuineness. Sitting in the Louder Than Life media tent, Matt shares his coat and stories from his childhood, while I share heaps of praise and a suggestion for their next acoustic project.
Shockwave Magazine: I love your coat.
Matt Brooks: Thank you!
It looks warm.
Are you cold?
I'm from Florida.
You must be very cold indeed.
I'm frozen to this bench. 
I'll come sit over here beside you.
I won't say no to that. For those unfamiliar with Like A Storm, it was started by you and your brothers.
That is correct.
What is your first musical memory collaborating with Chris and Kent?
We always -- it was crazy because we actually always used to play in different bands when we were growing up, but we always jammed together at home. So when we were little kids our mom and dad thought it would be good if we all learned the piano. So for as long as I can remember we've always been playing piano, and that kind of segwayed into other instruments. As we got a little bit older, started to get into rock music, and then really get into rock music, we've always just played different instruments between us. We've always jammed together, even when we weren't in the same band. So we'd be in different bands, but we'd just be kicking around at home and pick up a guitar, and someone plays drums, and someone plays bass, and we'd just play, like, Foo Fighters, or like, Michael Jackson, or whatever we wanted. So I guess in a way we've kind of always been doing it, long before we actually started the band together.
So what did your parents listen to? That's ultimately going to be your first influences.
Yes! They gave us a really good start as far as song writing. They were huge Beatles fans, Eagles fans, Creedence Clearwater Revival ... and I remember one trip we took as kids. We went around the South Island of New Zealand, and for six weeks the only thing we could agree on between us and our parents was the Eagles Greatest Hits. We had Sound Garden and Nirvana, and we wanted to listen to that. I think Mom wanted to listen to The Mamas & the Papas or something -- which now I appreciate, but when you're a kid you don't care about that. The Eagles was what we decided on. So we listened to nothing but the Eagles for six weeks. I could sing you every lyric of every song on that Greatest Hits album.
“Desperado.”
Love “Desperado!” What a song. Don Henley. What a voice, man. Amazing.
A little bit?
*Sings* “Desperado…”
Alright, that's perfect. I'm slain. Getting back to all the different instruments you picked up over the year, obviously we have to talk about the didgeridoo. Did I say that right!
Yes, excellent. You're one of the few.
Alright! So who picked up the didgeridoo first? And pardon me for being blunt, but was it a joke? Were you just curious about it? It's a very unusual instrument, obviously. 
Yeah, it is. So the didgeridoo is an Australian instrument. But growing up in New Zealand, it's always been around. The sound of it, I think to all of us, has always just been a very hypnotic, captivating sound. Even now it's like, people could hear it today, people would have heard it for the first time -- it just hypnotizes people. So I guess the sound of it is something we have always been familiar with. But Chris, who is our lead singer, he taught himself how to play it after a trip to Australia, which is where our grandparents lived. Every year we would go to Australia and visit them. One year he bought a didge and taught himself how to play it in three days, which is crazy because it's this notoriously hard instrument to learn. It involves circular breathing which is a way to keep the drone continuous even when you're breathing in at the same time. So like you're breathing in and you're pushing out at the same time. It's incredibly difficult.
Not a typical wind instrument.
No, it's a very difficult instrument to learn. As soon as Chris taught himself how to play it we just thought it was the most incredible sound we'd ever heard. I guess as musicians and as song writers we just thought it was a cool thing to try and incorporate into our music. It's been an evolutionary process since then. As we've written new songs and made new records, now the didge is as much a part of our band as guitars, bass, and drums. It's kind of cool to be in a place where you have this completely different instrument that you can incorporate as if it's just part of the band.
It's fearless, honestly, what you guys do and the way that you experiment with sound. I can't imagine the process of picking up an instrument and thinking, "Well that didn't work," because it seems like everything that I wouldn't picture being part of a rock ensemble, works for Like A Storm. There's a fearlessness to your sound. 
Thank you. That's a huge compliment. Thank you, honestly. But that's part of what we love most about being in a band, you know? This last record, Awaken the Fire, we wrote it ourselves, we recorded it ourselves, we produced it ourselves, it's entirely our baby. We just thought, you know, this is like -- you know, we left New Zealand to play music, and we're going to play what we love. If you try something and it doesn't work, there's nothing wrong with that. You know, the only problem there ever is, is to be afraid to try things. That's how we feel anyhow. So for us it's like, you take chances and you take risks and you do crazy things like incorporating didgeridoo into rock music. Sometimes it works, and when it works it's like something you've never heard before. To us that's the most exciting thing about being a musician is that you get the opportunity to stumble across things that you've never heard before. Then you get to play that every night.
So is there anything you want to try next, in terms of like a musical sound? Something you've thought about? Something maybe you're like "There's no way I'm bringing this up," but then you do?
*Laughs* It's funny because we're always joking about that, because Didgeridoo Metal is kind of what that kind of music is known as now. It didn't exist before we started doing it.
It's your thing! You made a genre.
We're very honored. But we're huge fans of all different kinds of music. I mean, "Wish You Hell," another song of ours, we became huge fans of the blues, and Delta blues in particular, through touring in the south of America. We just thought it would be cool to write a song that incorporated this kind of 1930s Delta blues thing with a heavy rock song. So I suppose for us it's just like whatever we're inspired by and whatever to us is exciting and -- we're always looking for new influences to bring into the fold and make them part of our band.
And it always works. I mean, from where I'm sitting.
Thank you! Thank you.
Obviously I'm not in the studio and I don't hear the "nopes."
I think that's the most fun thing about making an album is that you can take chances, and if it doesn't work then no one has to hear it. But the most important thing is to create an environment where you can try crazy ideas, because when they work it's much cooler than you would ever imagine.
You also did the DVD Southern Skies. So you traveled around to places that you grew up -- and introduced your fans to these places and then did these amazing acoustic covers in the most amazing places.
Ah, thank you.
Do you see yourselves doing more of that?
Absolutely. I mean, that was a really special thing for us because we've always been fans of bands that could play heavy rock and also play acoustically, you know? All the bands we looked up to like Metallica and Stone Temple Pilots, Alice In Chains, that was just part of being a musician. So we always loved doing the acoustic stuff. Then with Southern Skies, we got to go back to places that were really significant to us growing up. We’d been away touring for a long time, so to go back and to get to share that with our fans is a very cool thing.
Speaking of your fans, you were awarded most fan-friendly band by TuneLab’s readers.
That was nice of them to say.
That's is a nice thing to say.
It's very nice. I mean, I don't know how you couldn't love your fans, you know? Our fans are amazing, and they're literally the reason that we're here. They're the difference between you being completely unknown, and getting to tour America, and tour Europe. Your fans are the people who make your dream possible. That's why we love them. They're also very cool people. We've gotten to know a lot of them and they're very awesome.
There are bands that are afraid of their fans.
Our fans are cool. Our fans have honestly never been anything other than awesome to us, and the more of an opportunity we have to get to know them, the more you like people. It's cool.
I wanted to ask you, because you guys are so experimental, if you would ever consider doing a recording in the Integratron? Because when I was watching Southern Skies this came to mind.
Tell me about the Integratron. I'm sold.
Okay, it's in the Mojave Desert.
Okay, I like the Mojave Desert.
It is considered to be the most acoustically perfect structure in the world. 
It probably has the best name of anything in the world.
It does have the best name.
The Integratron. Integratron! That could be the name of our next album.
Artists have recorded there. It's totally doable. 
It sounds awesome. Wow!
I just think that you are bold enough to do something really cool there. 
We are pretty bold. I don't know if that's insanity or courage, but we are bold.
But it's a very good thing because it comes out in your sound and that's why you're not like anybody else. I sit down and read about bands and listen to bands to get a feel for what I want to talk about, but what's interesting about Like A Storm is that no one compares you to anyone else.
Well thank you! That's really high praise, honestly.
It's very true. 
Thank you.
Now you came over with Creed, then you toured again with Alter Bridge, and you just toured Europe with Tremonti. I sense a pattern emerging.
Yeah, we love this guy. I mean, Mark especially. I mean honestly, Mark was my idol growing up. When I was a guitar player growing up, Mark Tremonti was my idol. So just to know him as a person is a huge thing for me. But he's an amazing guy and they've done so much for us. You know, we toured with Creed, Alter Bridge, Tremonti. We love these guys.
So what's next then?
We're going to be in the states for the rest of the year. We have a headlining tour of America which is our first American headlining, nationwide tour in November and December. To us that’s a huge milestone so we're very excited about that.
We will look for it.
Awesome!
You were so kind to sit down with me and keep me warm. 
Thanks for taking the time.

With that, Matt moves on to his next interview, and just like a storm, when it’s over somehow the air is that much sweeter. Like A Storm is almost halfway through their Didgeridoo Destruction Tour. Catch up with them before the storm passes and look for Shockwave Magazine’s show review coming soon.

Friday, November 20, 2015

Candlebox plays Honey in Delray, Florida 10-13-15

By Robin Ervolina
Candlebox's Kevin Martin and Mike Leslie performed an intimate acoustic set at Honey in Delray, Florida on Friday the 13th, 2015. Candlebox shirts spanning two decades were plentiful in a venue filled with long-time fans. While Friday the 13th is supposed to be unlucky, I felt privileged to witness these two guys just doing what they love for a small audience of loyal fans. Honey set up the stage in their outdoor courtyard, which could have been problematic given the intermittent rain of the day, but not even superstition can keep a good band down, and Martin and Leslie put everything into an amazing performance. Even though Honey is far too small for a band of this caliber, Candlebox managed to capture the small crowd and provide a personal, once-in-a-lifetime experience. According to concert goer Tracy Davis of Fort Lauderdale, FL, "The only thing that would have made the experience better is Adam Kury."
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Failure Anthem: Kile Odell Interview

Erin Marsh - 4
By Robin Ervolina
Once upon a time in a land far, far away (Greensboro, North Carolina) five talented dudes came together to form a little thing called Failure Anthem. Sound familiar? If you're a rock fan it should. Failure Anthem is burning up Sirius and Octane with their first single, "Paralyzed" off their soon-to-be-released album First World Problems. It's an honest to goodness, not pulling any punches, rock album of epic proportions. I was beyond stoked to speak with Kile Odell, guitarist for Failure Anthem, and chat about their band and what the future holds.
Shockwave Magazine: I’m thrilled to talk to you, Kile. I have to admit I kind of snatched up this assignment as soon as I started getting press releases from Amy [Sciarretto, Atom Splitter PR.] I went over the moon for you guys. I think your band is amazing. Now that that’s out of the way, let’s jump right into the interview.
Kile Odell: *Laughs* Okay, awesome!
Failure Anthem is the name of your band. Tell us a little bit about how you came together. 
KO: Well, I was working out of a studio and I had been playing in bands, and I just kind of stopped for awhile. I wrote a couple songs, and I was like, "You know, I kind of want to see what I can do with these." So I hit up a friend of mine, J.D. [Eubanks] who is our vocalist, and he came up and he sang on them, and I was like, "Whoa!" We were both just kind of like, "These came out awesome!" so we hit up some friends that we had known for awhile, Wil [Andrews, rhythm guitar], Zane [Frye, drums], and Ryan [Nimmo, bass, backup vocals], and just kind of formed the band and went from there, and kept writing and that was that. It was a pretty easy thing.
When did you and J.D. actually hit the studio for the first time? You guys kind of burst onto the scene when you played Carolina Rebellion this year.
KO: Yes, we started working on material maybe a year and a half, two years ago.
Wow. Okay.
KO: Yeah, you know, just demo'ing songs. We wrote so much music. I think we wrote like 35 songs or something like that. That was when it started though, around a year and a half, two years ago.
And then you guys got picked up by Razor & Tie.
KO: Yeah, yeah, last year we started -- they contacted our management and that kind of got the ball rolling with that, and we signed with them -- I think it was Octoberish? October or November. Something like that. The record was already done, so that made that kind of easy. You know, we were just like, "Alright, well, here it is! It's finished!"
Let's go do this now!
KO: Yeah, it was just kind of like "Okay, perfect timing," you know? We had done all these songs and we kind of knew what the record would be, so it was perfect. Like I say, everything with this band has been like super easy, which has been different for all of us.
You mentioned that you were working in a studio. What was it like for you being on the other side of the board? Now you're recording! You worked with Motionless in White and some other big names. So what was it like working on the other side, being the recording artist and not the guy behind the controls?
KO: It's a little weird because I did this record, but I did it with my best friend Drew Fulk, and it was nice having days where I could just kind of sit back, and I didn't really have to worry about anything. But then also the fact that I recorded and mixed most of the record, and he helped me mix also, I had to kind of keep an objective mindset with it. And I also had to make sure I wasn't overthinking things, because that's really easy to do when it's your own project.
Tell me a little bit about First World Problems, your CD that's coming out soon.
KO: Yeah, that's -- I think the release date is January 22nd, I believe.
Yep!
KO: It's a cool record. I think it's a cool record. It's kind of -- it touches a lot of different areas. The title track being "First World Problems," it's kind of self-explanatory. I mean, it's about people who complain about the most insignificant stuff these days when we have so much bigger things to worry about. The whole record is kind of personal like that. There's a lot of, like, venting, or just personal struggles being talked about on the record. So I think it's a record that people will be able to identify with pretty easily.
Thanks to Amy I've already gotten to listen it. It's a regular rotation for me. I cannot wait for this thing to get released so that everyone can get their hands on it. I really think it's going to be big. I love it. 
KO: Well that's awesome. Thank you!
That's why I snatched up this interview. “Paralyzed” is your first single. It’s actually playing on Sirius and Octane now, right?
KO: Yes, that's been pretty amazing. It's in hyper-rotation I believe now.
It really is!
KO: Yeah, I have friends hitting me up constantly with pictures of their dashboard when it comes on. It's pretty crazy having your music out there like that!
Yes, but that's just -- this is the first release and it's blowing up. That's a cool thing. Is that your favorite song off First World Problems, or do you have another one that you are kind of like, "This is my baby."
KO: It is one of my favorite. It was actually the first song that we did as a band, so that was kind of like -- when we got done with that we were like, "Oh, okay. Yes, this is pretty cool." But my favorite song on the record is probably "I Won't Say Goodbye." It's the most personal one to me. It's about -- I lost my mother when I was 15 years old, and that song is about that. It's about what I went through with that. My mom was sick, and I had this belief in my mind that if I didn't say goodbye to her that she couldn't leave, that nothing could happen. It was just like that denial of, like, I had no control over what was happening.
I'm at a loss for words. Wow.
KO: Yes, that song is extremely personal. And that's probably my favorite one on the record.
I've listened to it, like I said, over and over. I feel like you guys are no holds barred. You just put it all out there.
KO: Yeah. You have to be. I feel like you have to be. You have to kind of let yourself be vulnerable, or to let people see what you're really all about.
That's what I am feeling. I haven't had the pleasure of seeing you because you haven't made it to Florida yet. I know you guys played Vamp'd last night which is one of my favorite venues, and you're touring with Like A Storm [LAS] on their Didgeridoo Destruction Tour. How are you finding the road? The fans? The guys in LAS? 
KO: It's been great. It's been really good. The show last night was awesome. There were a lot of people, a lot of friends there and whatnot. It was very fun. The bands have been great too. Everybody is very friendly and accommodating and I feel like there’s no weirdness on the tour. Everyone is on the same page. The crowds have been awesome. I think it's been a pretty perfect tour, honestly.
The LAS guys are fun. I've gotten to sit down and talk with them and they’re just real people, just laid back and super cool. 
KO: Oh absolutely. They're super awesome, yeah.
So what are your plans after this tour then? Do you guys have some tour dates set up after this one runs out? I notice you guys kind of finish up around the 19th of December. 
KO: Yeah, somewhere around there. I think that they're still adding a date here and there.
Oh good!
KO: We're off for the holidays and then we're starting right back into it either mid-January or the beginning of February. We don’t have anything that we can really talk about yet, but we do have stuff that's coming up.
Are you coming to Florida? 
KO: I mean, I would hope so. I love Florida. I hope we get there. We've got to be coming down there.
That's what I'm thinking. That's exactly what I'm thinking. I'm going to start bugging because I would love to see you guys come down here. 
KO: That's so close to us too. I don't see why we wouldn't.
Yeah, right! You're from Greensboro. You guys are all North Carolina based, right?
KO: Yeah, we should definitely be coming to Florida. Absolutely.
So you guys have played the small clubs and now you're playing bigger venues. Do you have a preference?
KO: You know, there's something about a smaller venue that's packed out where everyone is right up against the stage that is a little more intimate and is fun. But I just love playing, so you know, either-or, give them to me. I'm stoked to play.
For sure! How did you guys come up with the name Failure Anthem?
KO: That was a weird one. We had a bunch that we were tossing around and I said that one, one day, and that just seemed to be the one that it was like, everyone was into immediately. It has this underdog theme to it, which is like an anthem to people who don't feel like they can beat the odds but they can, you know? It's like, you have those people in life that no one thinks that they're capable of doing things, and then -- you know, we want to be the people who say, "Yeah, you can do it. You’re not stuck. You can do whatever you want to do."
So couple that with the raw honesty in your lyrics -- what do you guys hope to accomplish with your music and your message in the coming year?
KO: I mean, if we can inspire anyone, or make anyone smile or laugh at a show, just anything like that, anything positive. We're just trying to have a positive impact on people in general.
Do you have a favorite story from the tour so far? Fan interaction? Something weird or funny that happened, on the road or on stage?
KO: I don't know that we've gotten anything like really crazy yet. Our other guitarist, Will Andrews, is an odd ball and he's hilarious. He does some ridiculous things sometimes that crack us up. Like, he likes to dance and act ridiculous sometimes at shows or after shows. But really, we haven't -- nothing too crazy yet has happened. We're a pretty tame band.
Maybe you need to Vine or do a YouTube channel of the dancing. I think that we would love to see that.
KO: Yeah, I think that we have a clip of him shaking his booty on Facebook or something, but we should start keeping a log of the ridiculous stuff that he does every night.
You do! You need an on-the-road blog of Will's ridiculousness.
KO: Yeah, I think that's a good idea. I think we will start doing that!
Please do! And then we'll make sure we publish them!
KO: *Laughs* Okay, perfect.
Sweet! I super appreciate you taking time for me. I know you guys are getting ready to take the stage tonight in San Diego. I wish you all the best of luck. I wish I was there, but that's the wrong coast. But I figure if these boys from Greensboro can get to California then they can get to Florida, so I'll see you soon!
KO: Oh yeah definitely. We'll be out there.
Awesome. Kile, thank you so much! I look forward to your release and to seeing you live soon. Y’all have fun and take care!
KO: Awesome, thank you!

Catch Failure Anthem on tour before the year is over, and follow them on their website, or on Facebook. Watch the video for "Paralyzed" on YouTube. I promise you'll thank me and thank the stars for bringing these guys into your ear holes and hearts.

Wednesday, November 11, 2015

Theory of a Deadman with Pop Evil, Aranda, and Artifas: The Beacham Orlando 10/20/15

DSC_0306
Theory of a Deadman
Written/Photo by Robin Ervolina
The Beacham in Orlando, Florida threw doors wide open in the middle of the week to provide a packed out house with an energetic show. Artifas, a five-man powerhouse from Memphis, TN took the stage first and the crowd soon gathered at the rail to catch their set, making it clear to all why they were chosen for the Theory of a Deadman Blows Tour.DSC_0011
Artifas
After a very brief tear down and set up (kudos to the crew!) Aranda followed. It was impossible to discern long-time fans from new converts if based solely on crowd reaction. Hailing from Oklahoma, brothers Dameon and Gabe may have stolen the show from their headliners as song after song fans surged and cheered. The Aranda charisma cannot be denied and Pop Evil, the third act of the night, may well agree as they invited Aranda on stage to perform with them.

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Aranda (click image for full set)
Standing atop a pedestal nearly the entire show, Pop Evil lead singer Leigh Kakaty was right where his fans put him, and he performed with an air of appreciation and humility. Pop Evil skips the stage tricks and sticks with what they do best: artully performing a catalogue of killer tunes to an audience of adoring fans.
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Pop Evil (click image for full set)
The final act of the night, Theory of a Deadman lit up the stage, quite literally, and played a full-length set full of hits and crowd favorites. If ever a band looked as though they were having the time of their lives, Theory would be that act, and that enthusiasm did not escape the massive crowd that packed the floor for the entirely of Theory's set. Fans who lined up hours before the doors opened, stayed right up to the very last song.
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Theory of a Deadman (click image for full set)
A special mention must go to the venue itself for being one of my new favorite venues in Florida. They handled the lines and the crowd with efficiency and treated everyone with respect. The venue should look forward to hosting bands of this calibre because they're clearly equipped to handle the crowds that follow them.

Thursday, November 05, 2015

Yellowcard and New Found Glory - Revolution Live, Fort Lauderdale FL 10/14/15

DSC_1267
Written/Photo by Robin Ervolina
Lines forming at noon for a show starting at 7:00 are unusual in the October heat of south Florida, but not when the co-headliners Yellowcard and New Found Glory come to town. People drove from states over, flew in from states further away, and both bands rewarded their fans with an energetic show. Yellowcard took the stage first and thrilled the audience which was packed so tightly there was no way to move about the floor or the surrounding areas. It's not uncommon for Revolution to draw a crowd, but this sell-out crowd may have been more capacity than the floor can normally handle. By the time New Found Glory took stage fans were frenzied and the entire floor turned into a massive pit, complete with crowd surfers, in spite of the venue's strict policy prohibiting these activities. Having attended more than a few events at this venue, I can say I've never seen a crowd this fired up which I credit to two bands with a great catalogue of songs and a true love for their fans, evidenced by their long sets and frequent interaction with the audience. NFG even pulled one fan on stage after noticing he had been singing every word of each song over the first half of their set. They let him request a song that he wanted to hear but had never had the opportunity to see performed live, and invited him to stay on stage and sing along. The entire atmosphere created by both Yellowcard and NFG was one of family coming together to celebrate years of memories and music. As a photographer I wholeheartedly thank Yellowcard for the beautiful lighting, and ask that New Found Glory perhaps take a page from their co-headliners in future shows. As a fan of both bands, I couldn't have asked for more. This was hours of sing-a-long, thrash-along, surf-along, rock-and-roll ear candy. The years of successful music making have only made them better, much to the audience's and this writer's delight.
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